Main And Secondary Idea Presentations And Pitch
We presented to Luke our primary and secondary ideas. Luke decided immediately that our first idea was much stronger and more developed than the other one.
Despite this, Luke told us that the song 'Electric Feel' had been used in a Hurtwood music video three years earlier. He suggested that for the studio element, we should create something more dynamic and exciting, for example, projecting something over the top of the band as they perform. We suggested to project Peter Pan over the top because the theme of our music video was a corrupted version of 'the lost boys' from Peter Pan, however he stated that this idea seemed comical and didn't fit the genre. He explained that we did not have a license for shooting on the road and suggested shooting the band walking through a path in the woods instead, focusing on the idea of the dystopian 'after-math of a festival' set. He told us that, to link together the woods element and the studio element, we could also project images of the band playing in the woods swell as the studio. He decided that they could be projected onto tents made out of white sheets.
Developing Feedback Suggestions
We developed Luke's suggestion of the projections and I blogged a post on it.
he also suggested that we could project images of a time-lapse of London onto our tents in the woods, however we did not think this fitted the theme. Although we did later go on to projecting London onto the boys while they performed in the studio, but that was after much more feedback from different audiences.
Following Luke's vital feedback, we continued to develop aspects of the woodland narrative. Luke had suggested that we create different activities for the boys to do. We posted on our blogs different things that the band could do in the woods and the props that this would involve:
Luke's feedback suggested that we should develop our concept further and expand it to add a third element. He suggested that for a teenage band, primal focus would usually be (for any teenager) 'getting the girl'. He insisted that we should introduce a female figure, perhaps ethereal looking, to represent the natural world whilst the boys represented the urban world.
Eliminating the streets scenes and instead projecting urban imagery, we decided to include a studio element were we also used the London footage to project onto the band making the video even more visually appealing and exciting.
Animatic Storyboarding
We designed the animatic storyboard and filmed it on a cannon camera. We would swap sheets of paper each time we had filmed all of the shot ideas on one. Before filming the animatic, Matt told us that we should always cut on regular beats or else it would become very boring very quickly for the audience. Therefore, we filmed the animatic storyboard shots in time to the music so that we would only cut on the beat of the song.
Then we uploaded the finished animatic storyboard to YouTube in order to post it on our blogs.
Animatic Storyboard Feedback
Due to the fact that, at this stage, it was crucially important to gain an idea of the full music video concept, before progressing any further and going along with the music video shoot, we realised that we needed to get feedback on our animatic first. To make sure our target demographic (girls 15-25) understood the narrative concept of the video, we asked her a few questions in order to gain feedback from them. These were the questions and answers:
Screening Our Idea To Our Media Class And Media Teacher
While we were in the process of editing our music video together, we created a rough cut, which is the product we show to an audience to gain feedback before we create the finished product. If there was no negative feedback on our rough cut, we would have used that as the final cut. However, we did get some constructive criticism: We combined an audience of male and female teenagers, asking them both open and closed questions. We collected their feedback into a survey, getting clear responses from the correct demographic for the indie-rock genre.




The feedback of our rough cut was mostly positive. Luckily everyone said that they did not get bored. The feedback told us that the teenaged audience liked the pace of editing because it mirrored the pace of the song and linked in with the indie-rock genre. It became incredibly noticeable that they all enjoyed the woodland element of the video the most, all stating that they thought it was the most effective part.
As we received mostly positive feedback, there was little to alter, however we decided to correct aspects of the video with regards to the colour and the exposure. We made sure that the woodland aspect was given more air-time as it received the most positive feedback by the general demographic. This made our video more fun and energetic.
By colour grading the final cut, it brought out the fun and interesting aspects of the woods and made the whole video look more developed. It looked as if it could have been professional.
Group Pitch About The Album Artwork
We created a video and uploaded it to YouTube of the whole group deciding which album artwork design we liked best. In the end, we decided that we would involve different aspects off each into the album cover because we needed to think about the designs on the two inside covers, not only the two outside ones. Fran's minimalistic sketch seemed to fit the authenticity and organic vibe of the band.
Focus Group Feedback On Music Video Final Cut, Digipak And Website Rough Cuts
We hadn't yet had any feedback on all three products as a whole so we decided to hold a focus group. We asked a group of the target demographic a variety of open questions (in order to show that we hadn't lead them to answer in a certain way) and recorded the answers on a laptop as they were replying to them. Sasha recorded this information and upload it to YouTube.